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Pagan / Magical Book Reviews |
'Warriors at the edge of time' is an unusual book for Capall Bann who usually promote non-fictional works. This 176-page book contains a selection of black and white drawings, maps and photos which illustrate both the modern environment and ancient times and legends. The book charts a possible history of the Gwenlais Valley near Carmarthen in west Wales. Starting at around 2000 BC it follows the culture and spiritual beliefs of the native people throughout time. The first part of the book tells us of the life of the pre-Christian Shamans and Druids. Then a jump in history to tales from the 5th and 14th Centuries illustrates the religion of the Celtic healers and Warriors. The next part of the book examines the author's campaign to prevent quarrying of the valley and the attempt of the local councils to block their attempts with deceit and lies. The second half of the work looks at the symbolism and mystery behind the stories. An almost it seems an obligatory mention is made of the Holy Grail and Arthurian myth. The book then ends with an overview of the old religion from ancient to modern times, dealing with the myth, history and archaeology around which the book is written. The whole text is filled with imagery and symbolism that strikes a cord with the modern pagan reader. It is easy to imagine yourself as any one of the characters portrayed. An interesting mixture of fact and fiction and a welcome publication that records the spirituality of the Welsh people.
Griff
'Magick without peers' is a most unusual book on The Craft written as a guide for the solitary practitioner in the 'Progressive' tradition. The book gives a well-written account of this tradition of Wicca and is quite comprehensive in the number of topics that it covers, although some may feel that it digresses down too many avenues and some may even question their relevance to Wicca at all. The book for instance is very highly influenced by eastern religion, describing as it does pranayama, mantras, yogic breathing exercises, the tantra and walking meditations to name a few. The book progresses onto pathworking with some interesting and thought provoking observations and spiritual journeys, and gives the seeker some sound guidance on exploring the astral realms. I was however, rather alarmed to find a section of the book on herb and plant lore which gives details on how to prepare (and in a few cases take internally) such herbs as mandrake, thornapple, wild lettuce and the fly agaric toadstool which I consider to be both unnecessary and dangerous, even given that the book attempts to have a Shamanistic slant, I would question the need to describe herbal preparations of this nature. Is this really Progressive Wicca? The use of drugs and narcotics is, to be fair, a part of the eight fold path; however is it not time to move on from this type of activity? The use of herbs for healing was described, but sadly the chapter seems to make it of secondary importance to using The Gods' gifts of medicinal plants for the purpose of getting high. Surely any Wiccan/Shaman worth their salt can explore astral realms without the use of narcotic stimulation? The books strengths however, lie where it deals with subjects which are more closely linked with purist Wicca. There is certainly a comprehensive training programme in healing, the magickal use of crystals, symbolism, talismans and the use of working tools to name but a few. The book also covers the Druidic tree alphabet and calendar as well as describing in-depth the Progressive Crafts initiation procedures and hierarchy. Among the most central cornerstones of the Craft is of course the wheel of the year, i.e. the four great festivals of Imbolc, Beltane, Lughnassadh and Samhain, the Druidic cross quarter days, the solar festivals of the spring and autumn equinoxes', plus the summer and winter solstices. The book provides simple but effective rituals for each of the Sabbats which may be performed alone or adapted for Coven work. In addition the authors provide a firm explanation on each ritual with plenty of lore on each particular time of the year. The invocations and meditations are beautiful and there is some fine artwork to accompany the text. Magick without peers is therefore a most different book on The Craft which is well written and attempts to put a fresh perspective and focus on The Craft. However, I feel that the heavy influence of eastern mysticism on this tradition is more likely to confuse the newcomer to Wicca rather than enhance his/her experience. It is a debatable point whether such things as yogic breathing and mantric chanting are really relevant to Wicca which is of course the oldest known religion and is of western European origin. True, the modern Craft has absorbed many diverse influences since Gerald Gardeners day, e.g. Egyptian rituals, Quabbala, Golden Dawn style workings etc., but these concepts seemed to blend with, work with and compliment Wicca extremely well. For me at least, the conjunction of Hindu/ Buddhist religious practices with the Craft doesn't quite work. However, this is merely my personal view, many enquirers into The Craft may well identify very well with the practices described herein and let us not forget that there are now literally dozens if not hundreds of traditions available to the would be initiate, indeed new ones seem to be appearing if not mushrooming all the time. From this point of view Magick without peers provides an excellent taster to the Progressive tradition. VERBIUS
This book is a study of astronomy and astrology of pre-classical north western Europe. It uses ancient manuscripts, explores similarities between classical and Celtic Gods, and the association of each with the constellations. To complete the picture historical astronomical events are also examined. The book is well illustrated with star and constellation maps, as well as line drawings to supplement the text. All the main constellation's including the signs of the Zodiac are examined in some depth with associated deities, myths and legends. One chapter, for example, concentrates on the constellation of Pegasus. It is firstly associated with the Uffington White horse and its associated legends, then the Goddesses Rhiannon and Epona. Finally there are selection of Celtic horse tales. "In medieval Wales, rich families would give a horse to be sacrificed to Saint George ….in order to obtain the Saints blessing on all their other horses." "In Wales the mummers horses were the Hodening Horse or the Mari Llwyd …. It was a horse skull on a stick worked by a man under a white sheet." Finally the author looks at the planets and moons of our solar system together with their mythological heavenly counterparts. The legends are very interesting and informative, although some prior knowledge of astronomy or astrology would be an advantage.
Principles of Druidry By Emma Restall OrrPublished by Thorsons £5.99 |
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An excellent basic guide to the principles and practice of Druidry, written by the joint chief of the British Druid Order. This book briefly covers everything including historical references to Druids, the modern revival including Gerald Gardner's role, Gods and guardians, festivals, structure and philosophy. The book begins by encouraging you to get out into the open, experience things in a new way and not to read any more until you have done just that, and includes italicised paragraphs at the end of each chapter intending to be used as practical exercises. This approach may be an anathema to armchair Pagans, but useful to those who are drawn to Druidry and are looking for some guidance on where to start.
Maria
This book sets out to explore 'the origins of eight great festivals of the celtic tradition; Samhain, Midwinter, Imbolc, Spring Equinox, Beltane, Midsummer, Lughnasadh and the Fall Equinox.' Upon initial inspection it appears to be a very attractive looking, nicely presented book, with stunning photography and well chosen artwork. However, it does not match the quality that has been achieved by Vivianne Crowley in previous publications such as 'Wicca: The Old Religion In The New Age' or 'Phoenix From The Flame'. It certainly doesn't live up to the title of 'Celtic Wisdom'. To merit such a title there should have been a slightly heavier focus upon Celtic Deities, mythology and archeological evidence rather than watered down, Celtic flavoured Wicca. Having said this, the book would be quite useful for those who are new to the subject, who need ideas for getting started. Crowley takes each festival looking at it's origins, symbolism, associated stories, poems and myths etc. She then goes on to give practical suggestions for celebration i.e. simple rituals, recipes and associated activities. | Overall I would rate this book as 5/10, mainly due to it's presentation and appeal for newcomers. It's major down fall is that it is yet another book on the Celtic bandwagon, that is not particularly original in content.
This interesting little book could easily be overlooked in a bookshop. However, Liz Joan has produced a highly informative and more importantly practical book on contact healing in a Pagan framework. The book begins with a useful introduction, explaining the need for a book from a pagan rather than Christian Spiritualist perspective. Liz then continues by explaining her qualifications and experience in healing, which enables the reader to have confidence in the advice given. Liz defines contact healing as "the process by which the healer brings balance and ease to the healee at all levels of her/his being" (P14). She also makes the important point that "Healing is NOT the same as curing"(P15), therefore a terminally ill person is unlikely to be cured by a healer, but their final days could be less painful and their death less traumatic. This helps the reader to place healing in context, and so helps avoid the formation of unrealistic expectations. There is the inevitable (but necessary) chapter on ethics, which also details the legal implications of practicing healing. This should be read with diligence if you intend to practice healing at any level. Chapters 4 & 6 deal with equally important issues, self healing and protection for the healer. Essential advice is given on the passing of energy to a patient, stressing the importance of the healer not giving their own energy, or drawing the sickness into themselves. Liz Joan presents ideas for enlisting the help of the elements and God/dess aspects to help with certain ailments. This approach is highly experiential and could keep the neophyte healer busy for years. The book is ultimately useful if you wish to practice healing with a partner or friend, if you wish to practice healing in a professional way then the book acts as a useful "taster", but proper training and indemnity insurance are recommended. The only downside to the book is the photography, which only exists to bulk out the text. However this is a mild criticism, and Liz Joan's book remains an important source if you wish to practice healing from a Pagan perspective.
Simon
A History of Pagan EuropeBy Prudence Jones & Nigel Pennick Published by Routledge, 243 pages |
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An unusual contribution from Routledge who are better known for their general and specialist texts on archaeology and history. The authors are both well-known figures in the Pagan community and have approached the book with both academic insight and a personal flair. The work follows the development of paganism around the world and although it covers a large and diverse subject area, it provides an interesting glimpse at cultures, inspiring the reader to delve deeper. After the introduction the book examines the development of Paganism in the Mediterranean separately covering the Greek and Roman Empires. In examining Greek culture many interesting points are raised including a look at the role of the oracle. The Pagan roots of the Roman Empire, the coming of Christianity and the Pagan fight against its growing power are examined. No book of this type would be complete without a look at the Celtic world and this is covered including the influence of the Roman occupation of Britain. The development of the Germanic religion is well covered from its earliest roots as observed by Tacitus, through the Franks and Saxon people to its influence on modern martial practices. Interesting chapters are included on Russian and Baltic Paganism, subjects that are not readily available to the general reader. The book is well illustrated throughout with line drawings and black and white photographs. An asset to the collection of anyone interested in the origins of modern paganism.
Griff
This is a new edition of a classic that has long been out of print. It was first published in 1960 by Jack Bracelin who was a prominent member of Gardner's St. Albans Coven. In later life Bracelin renounced any association with Witchcraft and became a member of the baptist chapel movement. It must also be said that many key figures within witchcraft (including the late Doreen Valiente) believe that this book was actually ghost written by Idries Shah, the well known authority on Sufism and Islamic mysticism. The book is well worth a read if looking at the history of modern witchcraft. It gives an insight into Gerald Gardner who certainly led a unique and varied life. The impression that is given is of a person who threw himself wholeheartedly into everything he did; his employment on the tea and rubber plantations of the Far East, his archeological and anthropological studies and finally Wicca and the occult. On a less positive note, the book has not matured particularly well and has dated considerably. Much of the books content can be taken with a pinch of salt as new evidence has since come to light. It is also annoyingly "pro-Gardner" as many of those he initiated/worked with have since pointed out (including those who had a great deal of respect for him) that he was far from perfect! The style in which the book is written is incredibly dry and boring, you would have to be a die hard Gardnerian (like me!) with excellent eyesight (not like me!) to plough through this book as the print is so small. I look forward with interest to forthcoming books on Gardner by Philip Heselton and possibly Ron Hutton.
Sadie Hardwicke.
During a recent visit to Glastonbury, we came across this interesting little text in The Speaking Tree bookshop. The author claims to have be a practicing member of a Witches Coven for 20 years. This claim is backed up by the high quality of the information contained in the book. The book claims to contain the complete rituals of modern Wicca, something that I would not strictly agree with as there is much missing from the book, and much information which appears to have be written within the last 20 years. However, the book is exceptional in its portrayal of the basic rituals of the craft and is of immense importance for the beginner. Wicca Unveiled covers much of the Book of Shadows material already published in the Farrer's various books, but in a more condensed form with less commentary. It covers all the usual topics, opening the circle, etiquette in the craft, consecrations etc. However the openness of style combined with the lack of ego displayed by the author places the book head and shoulders above 99% of the other "Wiccan" books on the market. Example rituals are given for the Sabbats, Esbats, handfastings and the like. There is also a section on the 8 ways of making magic, which is essential for those new to the Craft. The book ends with a good set of correspondence charts, and also planetary rituals. The author is refreshing in his honesty; he openly gives the origins of the rituals as Crowley's "Rites of Eleusis". Ironically on page 13 the author states that in "the craft of Wicca there is a secret password, in perfect love and perfect trust". Books such as this destroy the psychodrama that unfolds during the initiation rituals, all of which are detailed in the book. However, if the initiatory craft is to survive, it is likely that people today want to know what they are getting into before deciding on initiation? The courage of people in the 50's and 60's cannot be over-emphasized in taking initiation before any of the rituals were in print. It could also be argued, however, that the real secrets of the craft are the methods or techniques and magic and the immediate introductions with the traditions guardian entities that are contained within the old fashioned initiation? To conclude, the book is excellent as an introduction to the craft. Anyone not convinced if the craft is for them could read the book and gain deeper appreciation for the complexity and beauty of the Revived Craft. The book deserves to rank alongside classics such as Vivianne Crowley's "Wicca" and the work of the Farrer's. Further information can be obtained from: The Speaking Tree 5 High St. Glastonbury, Somerset, BA6 9DD. Tel / Fax 01458 835974. Price: 8.99, ISBN 0953674509.
Simon Merry
Revelations Of The Golden Dawn: By R.A GilbertPublished by The Rise and Fall of a Magical Order. Quantum 12.99 |
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This book is packed with information regarding the history of The Golden Dawn and also gives much insight into the personal lives of it's membership. R.A Gilbert adopts the position of a skeptic throughout the book. For an example of the introductory chapter, he states the following; '....taught by a multitude of self-styled adepts to myriad's of would be magicians who rush headlong like Gadarine swine, over the cliffs of self-delusion''.
There are indeed a great many revelations about The Golden Dawn in this book, revelations about the origins of the order and personal revelations about many of it's prominent members. If it were not for the authors meticulous nature of the authors research, it would be as if a book long character assassination of The Golden Dawn as a whole had been written.
Bearing in mind the fact that most modern Paganism and Magic has it's roots in The Golden Dawn, it seems little has changed. The present day is filled with 'messiahs' and their willingly deluded psychophants, con-men and bunko artists abound.
This book is an excellent read, R.A Gilbert reminds us of how difficult it is to find the true key to The Mysteries.
Pug
The Real Witches HandbookBy Kate WestPublished by Thorson 2001, 197 pages |
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The author of this work is well known in British and European Pagan circles, as she is Vice President of the Pagan Federation (An International Organisation for Pagans of all Paths). And has written or co-authored two other works.
Recent years have seen many books on the craft published, aimed at a diverse spectrum of readers from the would be Teen Witches to books on specialist forms of magick.
This work however is a general introduction and explanation of the craft and as books of this genre goes it’s a good read. The first section deals with common misconceptions and beliefs about the craft. Such as the neutrality of magick as opposed to being black or white and an explanation of nudity in rituals. Section two examines what witchcraft is really all about and the philosophy behind it.
Then follows a look at some of the deities used in Wicca and an in depth look at the eight sabbats, personally I found this the most interesting as its always good to look at different ideas for the celebration of the sabbats, although as a whole there is nothing in the book that I would disagree with totally.
Other parts look at different traditions, initiation, herb lore and magic as well as a glossary of terms. However good a book is, the craft is something that needs experiencing to start to grasp its significance.
Two other books I would recommend for an introduction to the craft are ‘The Witches Way’ by Janet & Stewart Farrar and ‘Magick Without Peers’ by Ariadne Rainbird and David Rankin.